A: [Les Mis is a classic, there's no denying that. Its wide-reaching themes of redemption, revolution, love, and determination are all beautiful and geniusly interwoven into one long narrative! The music is stunning!! The acting superb!!
...Aside from one actor. Javert. Javert, sweetheart. Gorgeous. Light of Mettaton's life.
What the hell are you doing with your voice?
Every time the man has appeared on screen is another time Mettaton falls into fits of horrendous laughter as he mimics and exaggerates every fault in this man's voice. How could they hire a man to be in a musical knowing he couldn't sing?! It's MADNESS!!]
THIS I SWEAR BY THE STAAAAAAAAAAAARS, [he cackles, singing in one long, dull note.
He's not sorry if you were trying to get legitimate enjoyment out of this moment. This singing is hilarious.]
B:
YOU DON'T.. No, you don't underSTAND, [he wails, gripping a pillow to himself in between passionate sobs.] They took the thematic and musical themes of Little Shop of Horrors and infused it into the original Hans Christian Andersen fairy tale! It isn't DISLOYAL because they aren't trying to TELL the original story! It's its OWN story! This isn't a story about a mermaid falling in love with a prince - this is a story about a mermaid in love with a CULTURE! With an entire- [sob] an entire WORLD beyond anything she's ever been able to experience!! The prince is just a catalyst! She needs to love HERSELF! This is why she gets her happy ending with a prince on land where Audrey was a victim of Seymour's hubris! Because she grows and she learns and she has INITIATIVE!! She makes her own opportunities and takes them when they come!! She's a HERO!
[The Little Mermaid has been over for 15 minutes.
He's still debating its merits.
He doesn't look like he's going to stop without outside influence.]
C:
[Despite some hiccups and what can only be chalked up as one (1) awkward moment between friends (and nothing more), Mettaton considers this party a success! It's in the early morning now, with most everyone who needs to sleep following through with that. The terribly cheesy music of Grease 2 is playing over what would otherwise be a quiet moment. Light fights to make its way through the blankets strung up from the ceiling as easily as they did the hotel curtains. What little light that does make it through shines onto patches of glitter, creating a beautifully serene image.
He takes a moment to admire the scene: the glow of the screen, the hum of music, the shimmer of glitter, his breathtakingly gorgeous and slumbering friends...
They all came because he asked them to, with no other benefit aside from relaxing in his company. Because they are friends. He has friends. He isn't alone.
He doesn't need to look into the mirror to know his cloak is doing that awful thing with his eyes. Mettaton paws away any imaginary tears before going back to what he was doing: flipping through the pages of one of the many diaries scattered around his person and jotting down notes.]
Giorno and Fugo seem to have a bent more towards crime and dramatics, while Olivia and Keats are easily drawn towards romance... Hm...
Mettaton | OTA
[Les Mis is a classic, there's no denying that. Its wide-reaching themes of redemption, revolution, love, and determination are all beautiful and geniusly interwoven into one long narrative! The music is stunning!! The acting superb!!
...Aside from one actor. Javert. Javert, sweetheart. Gorgeous. Light of Mettaton's life.
What the hell are you doing with your voice?
Every time the man has appeared on screen is another time Mettaton falls into fits of horrendous laughter as he mimics and exaggerates every fault in this man's voice. How could they hire a man to be in a musical knowing he couldn't sing?! It's MADNESS!!]
THIS I SWEAR BY THE STAAAAAAAAAAAARS, [he cackles, singing in one long, dull note.
He's not sorry if you were trying to get legitimate enjoyment out of this moment. This singing is hilarious.]
B:
YOU DON'T.. No, you don't underSTAND, [he wails, gripping a pillow to himself in between passionate sobs.] They took the thematic and musical themes of Little Shop of Horrors and infused it into the original Hans Christian Andersen fairy tale! It isn't DISLOYAL because they aren't trying to TELL the original story! It's its OWN story! This isn't a story about a mermaid falling in love with a prince - this is a story about a mermaid in love with a CULTURE! With an entire- [sob] an entire WORLD beyond anything she's ever been able to experience!! The prince is just a catalyst! She needs to love HERSELF! This is why she gets her happy ending with a prince on land where Audrey was a victim of Seymour's hubris! Because she grows and she learns and she has INITIATIVE!! She makes her own opportunities and takes them when they come!! She's a HERO!
[The Little Mermaid has been over for 15 minutes.
He's still debating its merits.
He doesn't look like he's going to stop without outside influence.]
C:
[Despite some hiccups and what can only be chalked up as one (1) awkward moment between friends (and nothing more), Mettaton considers this party a success! It's in the early morning now, with most everyone who needs to sleep following through with that. The terribly cheesy music of Grease 2 is playing over what would otherwise be a quiet moment. Light fights to make its way through the blankets strung up from the ceiling as easily as they did the hotel curtains. What little light that does make it through shines onto patches of glitter, creating a beautifully serene image.
He takes a moment to admire the scene: the glow of the screen, the hum of music, the shimmer of glitter, his breathtakingly gorgeous and slumbering friends...
They all came because he asked them to, with no other benefit aside from relaxing in his company. Because they are friends. He has friends. He isn't alone.
He doesn't need to look into the mirror to know his cloak is doing that awful thing with his eyes. Mettaton paws away any imaginary tears before going back to what he was doing: flipping through the pages of one of the many diaries scattered around his person and jotting down notes.]
Giorno and Fugo seem to have a bent more towards crime and dramatics, while Olivia and Keats are easily drawn towards romance... Hm...