stiles "mr. distrust" stilinski (
figureitout) wrote in
epidemiology2017-03-16 12:04 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
( open + some closed prompts )
CHARACTERS: stiles and YOU, stiles and a bunch of ppl
DATE: between march 17 and march 23
WARNINGS: injuries, panic attacks, more or less zombies, idk man i'll update
SUMMARY: peter's infection finally reaches the more serious symptoms, and like any well-adjusted individual, he runs away after lashing out unintentionally. stiles deals with the injuries and tries to mobilize a search for him (mostly by doing the searching all by himself, good job??)
i. i'm frozen to the bones — university
iii. wildcard!!
DATE: between march 17 and march 23
WARNINGS: injuries, panic attacks, more or less zombies, idk man i'll update
SUMMARY: peter's infection finally reaches the more serious symptoms, and like any well-adjusted individual, he runs away after lashing out unintentionally. stiles deals with the injuries and tries to mobilize a search for him (mostly by doing the searching all by himself, good job??)
i. i'm frozen to the bones — university
[ it isn't a common sight, to see Stiles out and about so early in the morning it can barely be called morning — sure, he makes a point to be at the station early enough, but never without complaining about the time and increasingly desperate attempts to drown himself in coffee. now, though, he looks wide awake, despite the heavy circles around his eyes.ii. i'm a million miles from home — random city location of your choosing
no, the sight isn't a common one, but it certainly is alarming, especially when one pays careful attention to the way each step he takes is somehow less steady than the one before it, the way he cradles his arm at an awkward angle and winces when moving forward jostles it slightly. still, he isn't stopping — he makes his way across the university grounds, then to where the cars are parked...
... yep, you guessed it, he's totally going to drive his car like this, with one arm out of commission and looking like he might actually clock out any minute now.
someone.
should probably stop him. ]
[ he's no longer sure how long he's been walking around. hours, days — he's trying not to count how long it's been since his ill-adviced decision to try and tranquilize a sleeping super-powered individual, seriously, just how did he think that was a good plan?
(he didn't, that's what. he didn't think, because he had no plan. none... just like he doesn't have a plan now. for someone whose strength tends to be coming up with plans, he sure seems to be lacking in that department lately.)
the magitek is of no help, because what good is a locating system built in when you can just leave your magical jewelry in a lab, right? right. quietly, he mutters, ] You just had to remember that too, didn't you? Great.
[ as if talking to himself in the place of the one he actually wants to talk to, making dry comments about the situation, made it all somehow easier to deal with. (spoilers: it doesn't.)
after another block, Stiles finally has to sit down, finding the nearest bench that's empty. it's cold, but he doesn't care, curling in on himself as he leans his head in his hands. this... isn't working. he has no plan, no idea where to look for Peter, no clues to follow. nothing. it's like he's disappeared into thin air and all he can do is walk around the city until his legs give out under him, until the curfew once again forces him back inside — back to the dorms, to his room, in the faint hope that maybe, maybe this time it won't be empty.
breathe, he reminds himself. it'll be fine. it's fine. it's — ]
Fine. It's fine. I'm fine, [ he whispers out loud, his voice brittle, barely there.
(spoilers: he's not.) ]
iii. wildcard!!
[ feel free to wildcard me with whatever strikes your fancy!! or poke me over atcelen for a closed starter! all closed starters will be their own comments, just bear with me as i write them up...
also, the explanation (and plotting post) for "how not to deal with being infected: a guide by peter parker" is here in case none of this is making any sense! ]
KOLTIRA ➙ march 18, early morning
instead, he scans the room for people who could actually help him, and once he zeroes in on Koltira, Stiles quickly (well, as quickly as he can with the current state of his injuries, really) makes his way to him. ]
Hey, [ he says, voice sounding roughly like he hasn't slept in two weeks, ] have there been any... weird reports this morning? Last night? Anything?
[ he doesn't sound too hopeful, though — if Peter wants to avoid being seen, he's more than capable of it. ]
no subject
Yes. All kinds.
[ Before he can go on to be even less helpful, he notices the irregularity in Stiles's breathing; his heartbeat. His exhaustion. ]
What's happened to you?
no subject
Nothing, [ he responds, before realizing just how stupid that sounds. even when he feels like the world is spinning around him, he's not far enough gone not to see how it must look. ]
... turns out not everyone who's infected wants to be sedated. [ vague, but an explanation nonetheless. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
OLIVIA ➙ march 19
he has never been one for optimism, always carrying the tendency to think of the worst first, and this... this has been worst-case scenario right from the start. Peter's gone, and no matter how much he searches, he just won't answer. and what chance does he have, to find someone who can scale walls and buildings, move from one block to another within the span of seconds, if he doesn't want to be found?
he doesn't know why he walks there, to the place he visited once before, when he had got the book for Olivia and ended up staying to chat with her pretend-husband instead — suddenly he's there, sitting on the sidewalk outside the building, too tired to leave, too desperate to move away.
he glances at the notebook he's carrying, full of writing — originally meant to contain all the places he's looked, but now it only reads variations of make sure he's alive and he's fine, the last of which he underlines, once, twice. circles it, his pen red like blood on the white page.
he barely even notices the way his lungs feel heavy, unable to draw breaths; the way his vision fills with small, black dots. panic has been his constant companion for the last twenty-four hours and more — is it any wonder he's losing the fight, now?
(for someone who can feel emotions, the onslaught of panicanxietydespairworryangerpanic is probably somewhat overwhelming.) ]
no subject
not that she would have had any use for her powers, actually, given how the lines of his face — drawn and weary and made worse by the heavy shadows from the evening light — spell it all out quite perfectly. ]
Stiles...?
[ there is a curious tone to her words, but it is not about his identity. she knows him quite well now, or at least she likes to think she does. she knows, at least, the shape of his body, the arc to his shoulders, and the furrow in his brow when he is particularly stressed. there is a paper bag in her arms, holding a small collection of food she'd meant to take home, but her path stalls now, stopping just before him so she can crouch down to meet his eyes.
she reaches for his cheek, feeling it cold and shuddering. ]
Tell me what's wrong.
no subject
only her question pushes him back, back over the edge, over the cliff and into the storm waiting below. ]
I —
[ everything, he thinks.
Peter is infected, he's missing, I don't know if he's still alive, if he's hurt someone else.
All I'm good for is making plans, and I never saw this coming, I have no plan for this, nothing. No plan B, not even plan A. I'm useless and I hate it.
I might be infected, too.
instead, what he manages to say is, ]
I can't — breathe.
[ he knows a panic attack when he has one, has had enough of them in the past for it to be familiar, but this? this is quite possibly the single worst one yet. he hopes Olivia understands what is happening, because he can't force out the words to explain. ]
(no subject)
(no subject)
(no subject)
(no subject)
REIKA ➙ march 19
(with every lead that turns cold, with every second he spends being no closer to finding Peter, a string tightens around his lungs, a drop of water drips down his throat, down into his lungs, filling them one by one until he's slowly drowning.)
he sits on a bench, crossing off places in his notebook, one by one until there is nothing left. underneath the list, he writes a question mark.
a second, two, three.
he hurls the notebook away, away, with all the force he can muster — sorry if it ends up hitting you, Reika... ]
slides in
Maybe it's luck that she's passing by, lucid enough to notice the notebook and do some sort of spontaneous limbo to avoid it hitting her head. ]
Uh, hello?
[ It's... probably not intentional? Which is why she goes to pick up the notebook first before going over. ]
no subject
... sorry about that. I didn't mean —
[ he swallows down the rest of the words, shaking his head as though it'd help to clear it. ] You okay?
[ asks the guy who definitely, definitely does not look okay. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
maybe a wrap on yours?
sounds good! thanks for the thread
WYLAN ➙ march 20
right, let's rewind.
after two days of searching and a whole lot of nothing, it's fair to say Stiles' morale isn't too high... yet he's not giving up. giving up is just not an option, not even a notion to vaguely entertain, which is why that morning, too, he goes to his jeep, ready to drive all the roads, listen to the police scanner for any kind of weird reports, anything. anything.
only this morning, his jeep isn't cooperating. he turns the key and the ignition rumbles, rumbles — dies. he tries again, and it rumbles, coughs, dies. ]
Seriously? [ jumping out of the car, he turns and kicks the metal, swearing under his breath when it ends up just hurting his foot. and poor Wylan who just so happens to be walking past... as soon as he spots him, Stiles just waves at him. ]
Hey, you have a second? I need you to turn the key in the ignition.
no subject
What? Oh. Sure.
[He twists the strap of satchel slung over his shoulder as he approaches the other teen and the unusual looking vehicle, still looking unsure.]
no subject
You try to start it when I say so, okay? [ a pause as he leans forward to see whatever could be wrong with the car. ] Thanks, by the way, I know this is a weird request and I don't know you at all but I really, really need to get this to work.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
ANAKIN ➙ march 20
when Anakin arrives at the precinct, Stiles is waiting for him outside, his skin even paler than usual, looking roughly like he hasn't slept in days. ]
... sorry. I wouldn't have asked you, I mean, you've got a lot of stuff to worry about [ Padmé, is who he means, but it isn't like he can say it out loud ] but I... it's important.
uses mind trick this tag is not late
No, [ he dismisses stiles' concern entirely. a shake of his head reinforces the point.
anakin claps a hand on the other's shoulder, the gloved prostheses supplying a very human, very gentle squeeze. his mind runs a mile a minute thinking of what might have occurred. this won't a bunny situation. he can see it in stiles' face. so he speaks calmly, evenly, almost as if he were trying to use a mind trick again. ]
Tell me what happened.
this tag is not late.
Peter, [ he responds, his shoulder tense under Anakin's hand. ]
He's infected. I didn't... I tried to sedate him but it didn't exactly go according to plan. He's missing, and I can't find him. We have to find him. [ a pause. he knows he's about to betray a confidence right now, but he has to. he has no choice. sometimes... you just don't have a choice at all. ]
I don't mean just because he's a danger to himself. He's a danger to others, too. A real danger. He's... not a normal human. And if he's out there, out of his mind, with powers like his — [ it's a disaster. a far worse disaster than the regular infected going around. you can at least run from some of them... from Peter, there's no running. ]
(no subject)
(no subject)
(no subject)
i cant stop laughing whenever i look at your tag i hope you're happy
this thread is truly quality
of course what else would it be
(no subject)
GIORNO ➙ march 18
and he did — he does. only the work he has to do is not writing papers or even going to help the police officers with their already-crippling workload; he heads to the city, to Woodhurst Watch, to the city hall, to any place that might give him clues.
(driving his jeep is still a struggle, even with the bandages; when he walks, every other step he feels like his head spins, or maybe it's the world that's spinning. he ignores the looks he gets from the locals because of the bruises he has — everyone has more or less bruises, now. it's nothing.
it's nothing.)
he barely makes it back to his car before collapsing, slumping on the floor of his car, nearly knocking his already-broken arm on the open car door. to the flash of gold that's suddenly appearing in his vision as he tries to look up, he mutters, ]
If I told you I'm fine, would you believe me?
no subject
[But he's nothing if not a hypocrite. Which is why, when he catches sight of someone weaving, covered in bruises and stumbling, ultimately collapsing in what appears to be his vehicle, his brows furrow in concern immediately. And when he recognizes who it is, he puffs up a little, agitated and ready to scold as he approaches the vehicle.]
Not even a little bit. What did you to to yourself?
no subject
it wasn't Peter's fault. ]
... okay, I sort of did. I surprised someone who's infected, he didn't react well, that's it. [ his voice is tight, brittle; talking about what happened hurts worse than his arm, than his head. ] It's not that bad.
[ it absolutely is that bad, as evidenced by the way his eyes seem to have trouble focusing on Giorno, the way he sways in place as though his consciousness is having an internal debate about staying with him for much longer. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
miles to go for stiles
[But there's too much going on for her to stop and feel sorry for herself, or panic-- these people need help and if no one else is in any shape to give it to them, she'll have to step in and do whatever she can-- regardless of how she feels. That's her plan of action.]
[Right now she's scrounging for supplies, for once being mindful enough of her surroundings so she doesn't run into trouble --- but there's trouble right there, or rather, someone looking in trouble. What is he doing? He's just saying "I'm fine, I'm fine, I'm fine" over again]
---Stiles!
[She jogs over to him, her arms full of candy bars.] What are you doing? Your butt's gonna get cold!
[Truly, this is the priority here]
no subject
slowly, he starts to laugh. her comment is so silly, so normal, the mere idea that him getting cold might bother him at all when he could be frozen solid and wouldn't care —
he laughs, but the sound is hollow, without humor, the breaths he takes in-between turning into gasps as his lungs refuse to hold the air in for long enough. ]
Maya — [ he manages, before leaning his head down again, trying to steady his breathing, to stall the hysteria that is bubbling up inside him. ]
no subject
It's not that funny. [More than that, he looks like he's about to lose it. She shoves the candy bars in her sleeves, putting a hand on his shoulder instead.]
Hey! C'mon, don't do that, you're gonna choke. Take it slow.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
wrap here?
wraps ur face
i. university
He doesn't know Stiles. But he does know a messed up arm and mobility when he sees it. His eyes flick from Stiles to the direction he's pointed at: a university parking lot. He restlessly sticks his hands in the pockets of his hoodie and frowns.]
You sure you should be trying to drive with an arm like that?
no subject
not that he's in much of a condition to recall that right now; all he manages is a he looks familiar before he has to struggle for a second to focus his eyes on Fugo. ]
Dude, I'm fine.
[ ........ ignore the part where he winces slightly as the moving to face Fugo jostles his arm, he's totally fine here, nothing to see! ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
mebe wrap here or at yours?
searchy feelingsy stuff
It's a new feeling, too. Definitely.
The plan had been to work with Stiles to look for Peter, but given the circumstances, it was better that they split up. After a whole lot of nothing, he uses his magitek to find Stiles via the tracking system, and he comes up to him on his small motorbike a little while after. Approaching, it's clear that Stiles is in a bad way. A really bad way.
To keep himself secure through all of this, Keith has been paladined up, and this is no exception. His hand grasps on to Stiles' shoulder from behind, all in an offer to offer comfort.]
We're gonna find him. I know that we will. [Or someone will. "Someone" is a solid idea. It leaves more options open.]
no subject
not when Peter's still out there, somewhere... on his own, possibly hurting people. and knowing that is not nearly as painful as the knowledge that it'll all just hurt Peter worse when he's back to himself.
at first, even as Keith places his hand on his shoulder, Stiles barely reacts. ]
Yeah, but will we find him in time?
[ no, whispers his mind, no, we won't. his heart thunders; his breaths are shallow. it's a wonder he got the words out, in the first place, with how little breath he has to spare. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)