fiona the dumpster baby (
cachemoney) wrote in
epidemiology2016-10-16 02:06 pm
[OPEN] empty bottles and broken glass
CHARACTERS: Fiona and YOU
DATE: Early to mid-October
SUMMARY: A sexy farmhand bounty, an open prompt post-canon update, and some closed threads.
early october. RHINESTONE COWBOYS.
[Having absolutely no idea how to budget and already spending all her money on frivolous things (though she would argue they are not at all frivolous -- one can never own enough hats, you know), Fiona is out of money. Already. Just completely broke. So, she's started looking over the bounty board for a quick way to get cash, and helping out this farmer with his love life seems to be the simplest and lowest impact option.
She did not, however, anticipate it being this boring.
She's out at the edge of the farmer's land, dressed in some ridiculous midriff-bearing outfit with Daisy Dukes and the worst hat she's ever worn ("it's part of the costume," the farmer told her when she protested, "you have to"), leaning seductively on fence posts and draping herself sexily over robot horses. She would be embarrassed if she weren't getting paid so well, playing sex kitten is not her usual forte, and she mutters to the metal horse she's currently arching her back against.] I promise I'm not usually like this. [The horse nickers, unconvinced.]
mid-october. CANON UPDATE.
[After getting smacked so hard that she flies into another dimension, Fiona has A Lot to deal with. It's very disorienting, going from trauma to trauma and having the memory of both things hitting her all at once. She's back in Perdition's Rest immediately, though it's not immediate for her; months have passed, she's been through some stuff, and she's also, like, frustrated? Kind of frustrated. Getting whisked away right after opening a Vault is frustrating.
She's at the saloon, hunched over a little at the bar as she nurses a whiskey, watching her hand as she curls and uncurls her fingers, trying to reconcile both sets of memories into some kind of coherent timeline.]
DATE: Early to mid-October
SUMMARY: A sexy farmhand bounty, an open prompt post-canon update, and some closed threads.
early october. RHINESTONE COWBOYS.
She did not, however, anticipate it being this boring.
She's out at the edge of the farmer's land, dressed in some ridiculous midriff-bearing outfit with Daisy Dukes and the worst hat she's ever worn ("it's part of the costume," the farmer told her when she protested, "you have to"), leaning seductively on fence posts and draping herself sexily over robot horses. She would be embarrassed if she weren't getting paid so well, playing sex kitten is not her usual forte, and she mutters to the metal horse she's currently arching her back against.] I promise I'm not usually like this. [The horse nickers, unconvinced.]
mid-october. CANON UPDATE.
She's at the saloon, hunched over a little at the bar as she nurses a whiskey, watching her hand as she curls and uncurls her fingers, trying to reconcile both sets of memories into some kind of coherent timeline.]

closed: asher
She's waiting patiently at one of the tables in the downstairs saloon, nursing a beer and insisting politely (the kind of politeness that comes along with a fake smile, anyway) to the saloon worker that it'll totally go on Asher's tab, don't worry about it, he's good for it. So it's already starting well, a good way to start a date is to put the other person in debt.]
no subject
Hey.
[After taking his place at the table, he leans excessively too far in her direction, sporting an expression that not even a mother could love.]
What's cookin', good lookin'?
no subject
[He's in better shape than she thought he was; it's easier to tell these things in person, obviously, and she sits back a little so she can take him in better, lifting her beer.] Did yooouu want a drink? I have a tab going. [She pauses.] Okay, you have a tab going.
no subject
Well, dayum-
[Spoken with an air of jest, as though he doesn't really mind.]
Startin' me a tab already? I'm pretty sure you don't even know my full name.
[Her actions confirm his suspicions, that she's seeking little more than some free booze and maybe someone to laugh at for a few hours. If this was home he'd have been certain that this evening would end well, confident even, but his time in this place has taken a toll on his already fragile self-esteem. Every hour, nay, every waking minute of being on this team is nerve-wracking. It's hard to stare at what he perceives as near perfection 24/7, to look at people who are his own age or even younger than him and still lightyears ahead.
Nevertheless, he likes her confidence and could use the company tonight.]
I'll have a beer.
no subject
Lemme guess. Asher... [What's, like, the whitest rich guy name she can think of. She rolls her eyes up, thinking, and the saloon girl comes over to plunk a beer down while she considers.] Asher Rutherford Hollingsworth. Your friends call you A. R. for short.
(no subject)
(no subject)
1/2
2/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
i was so ashamed i had 2 rewrite this
[shame]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
closed: nami
She's rented her own horse for the occasion, selecting a camo-print little number, thinking it'll blend into the scenery better. Of course, she didn't realize that the closest bandit camp happened to be in the middle of a forest, making the brown-and-tan patterned horse pretty useless against the greens of the trees. Leaving her horse tethered nearby, she creeps up to the encampment, crouching behind a thick tangle of trees at a distance, trying to count how many are in the camp. And how difficult it'll be to take them out by herself.]
no subject
... not herself, no. She's there to scout it out, to be able to go back to the saloon and tell Sanji where he needs to go, deal with the bandits and bring her the bounty. Only when she gets there, she isn't the only one. The horse tethered near the camp tells as much, and when Nami moves closer, her steps careful and silent like only a thief's can be, she's greeted with the sight of the woman from before — the one who had no particular love or trust for the law enforcement.
Clearly she has no particular love for the bandits, either... ]
Are you here for the bounty, too? [ A quiet whisper as she creeps closer to Fiona. bc as much as sisters before mister-bandits is the rule, like hell she's come all this way and not get money out of it?? ]
no subject
She squints for a moment, quiet, then withdraws the gun into her sleeve and turns back around, nodding to the bandits ahead.]
There are plenty of horses, [she mutters at a well-rehearsed "don't let them hear you" volume.] The tricky part is gonna be not getting shot full of holes.
no subject
... I think I can help with that. [ The slightest of smiles as she reaches for her Clima-tact. ] Did you see our performance in the saloon?
[ It's easier to explain if Fiona was there to see the disappearance trick... ]
no subject
What? No. What?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
handwave the rest? c:
ya!!
Mid-october
But for all that, he hasn't yet indulged in more than a glass of cactus wine with a good friend. Still, there's something in him that sees the look on Fiona's face and understands, not the specifics, but certainly the broad strokes. That's the look of someone who's having a bitch of a time trying to work something out.
He's on his way home after a day out and about, so he's dusty, smells like sun and desert, and can feel the ache of plenty of walking in his legs. Still, rather than swing up the stairs towards a good wash and a nap, he angles for the familiar face at the bar. Maybe, maybe, if he can't sort out his own issues, he can help with someone else's.]
You look like you need that drink more than most of us. [He grins, a small, sympathetic offering.] Hey.
yikes this is older than i thought, aahhhh sorry
Well, you know... can't get enough of the atmosphere. [Dust! And sand! They both make for a very nice ambience when you're trying to drink. At least none of the entertainers are putting on any kind of remotely bawdy show; that would just make all her stupid angst even more stupid.
She stands up a little straighter, motioning to the bottles behind the bar.] Let me buy you something. What do you drink?
rhinestone cowboys
And there's nothing easier than looking good.
He leans against a nearby fence, shirtless. He's well cut, with hard muscles formed out of a life lived constantly on the run. He's got a beer in one hand and his Stetson positioned low over his head, giving him what he surely believes in a sexy air of mystique. The belt buckle glints in the afternoon sun. Because, of course, he had to keep the belt buckle.
When he spots Fiona rubbing up against the horses, he laughs, raising his drink to her. ]
Howdy, sweetheart. You havin' a good time over there?
no subject
Or, she was getting into it. She hadn't been expecting company, or at least not company that she knows. And that looks like that. She's suddenly very embarrassed, mostly by the stupid hat she's been made to wear, this is not a proper hat.
She pauses for a second, but doesn't stop leaning on this robo-horse, who at least doesn't seem to be judging her for her fashion choices.] I'm, you know... working. It's a living! [Wocka wocka. Ugh.] I see you're taking the less creative route.
no subject
Ah.
[ He tips up his hat slightly, grinning at her. ]
Ain't nothin' wrong with keeping to tradition.
no subject
She decides on a kind of middle ground, keeping her pose but dragging her hand slowly up her torso, lightly scarred and lightly muscled.] Traditional or lazy? [She could sit around and drink, too!! She probably would not look as sexy doing it, though. She feels a little more comfortable now that she's not frozen in place by his hotness, and lets her fingers graze her breast as she stretches her hand up over her head.] This is a weird fuckin' bounty.
no subject
Either, or. Gets the job done regardless, right?
[ He thinks he's pretty effective at this, and he reckons that, if pressed, Fiona wouldn't disagree. He gives her an appreciative once-over as he takes another sip of his beer, though he's careful not to linger too long on any one part of her body. Gentlemanly respect is still in effect here, after all.
He winks. ]
Can't say I got too much issue with your approach either, though.
[ McCree stretches against the fence, flexing the muscles in his arms and shoulders, sighing as though terribly, artfully bored. ]
Anyhow, I don't mind it so much. Not too often a man gets paid to relax and be his own self.
[ His own devastatingly attractive self being the subtext there. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
let's try this again
Instead she finds Fiona, hunched over and oddly quiet. That's not the posture she's used to seeing from Fiona, bowed down instead of tall and proud. Something's happened, that's for sure, but what?]
Mind if I take a seat?
[She takes it anyway, sliding into the chair next to Fiona and calling out to the barkeep for a glass of water to start.]
no subject
Oh, water. Living on the edge, Riza.
no subject
I thought I'd save the stronger stuff for you. You look like you need it.
[Like McCree, Fiona's only ever given off an air of confidence and ease. To see her anything but is alarming, a sure cause for concern. The lingering drops of humor in the air dissipate; Riza cuts right to the chase.]
What happened?
[Whether or not Fiona opts to tell her is another story, but she has to at least ask.]
no subject
But she doesn't know how to put it into words, which is a weird experience for her; she's always talking, it's her greatest talent, and to be as tongue-tied as she feels is bizarre and unsettling.
Finally, she shrugs too, flexing her hand absently. The scar there is new but at the same time it isn't. It's confusing.] I don't even know if there's a word for it. You know how we all got sucked up by rifts in space-time or whatever? I think I got... reverse-sucked up [not blown, don't be crass] and then dumped back here again. Or something.
no subject
Riza gives Fiona plenty of time, gaze drifting over the rest of the crowd in the saloon that night, completely disaffected by this single sober pocket. Her water sits untouched in front of her. (It'd been ordered out of a desire to keep her hands occupied than any real desire for a drink.) When Fiona finally does answer, Riza finds herself not particularly surprised. Sympathetic, certainly, but not surprised.]
So you went home, lost every memory about this place, and then came back with several months' worth of new experiences in your head?
[Something like that, at least, if it had been anything like what she'd experienced all those months ago.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
mid-october!
that said, he does a double-take because something seems... off. looks like she's had a bad day or something. he briefly considers just leaving her alone, but then he'd feel like a dick. if he asks her about it and she tells him to go away, then so be it, but at least he will have tried, right?
so he quietly approaches, taking a seat next to her at the bar. ] Heeey, everything all right?
no subject
Yeahhh, just, uh. [She's not exactly sure how to explain it succinctly, though at least she pushes down her knee-jerk response, You look better with a full beard. She waves vaguely in the air, squinting.] Some kind of glitch happened? I guess? Like with Rhys. [She just doesn't have a shiny new arm and haircut to prove it.] It's just kind of... you know.
no subject
and then her answer, vague as it is, still manages to explain it. hoo boy. this again, huh? ]
...You mean, like you suddenly got older or whatever?
[ that's definitely not what he was expecting to hear. ]